Or even better, what if you could output two different animbrushes simultanoius, each with there own connection settings! this would really explode the possibilities.įor now we have to try and squeeze everything out of limited options that we have. I made use of the animated brush which only has limited connection options, but had the the toolpanel contained a few more parameters to connect the playback of an animation to the wacom input i might have come much much closer to a usable line. Thus making it very repetitive and mechanical and therefore uninteresting. It mainly falls short in the sense that i could not find a way to give the user control to vary the overlap of the hatching, Off course im not saying that a tool like this could replace his masterly craftmanship.Īnd as you can see i only manage to superficially come in the neighbourhood. Use the Camera tool in your projects to extend the drawing area, create movements and add different zoom levels to your animation. Add dialogues, draw, import actions and notes, soundtracks, etc. I just tried to whip up a custombrush that can produce a line that resembles what Uli Meyer did by hand in his Ronald Searle pieces. The Professional Edition allows you to organize your project by scenes and clips, and to create storyboards which you may publish or export as animatics. Here is an example of the limits of brush building I think some of it may be that people get very accustomed to using a certain tool in Photoshop or Clip Studio Paint or ProCreate and then when that exact tool doesn't exist in a program like TVPaint it seems like a deficit.) Perhaps I do notice a difference if I jump into a program like Clip Studio Paint, but I'm fine with using the brushes in TVPaint. (that said, I would be happy to see TVPaint's brush creation engine brought up to the same level as a program like Clip Studio Paint, although I'm not unhappy with the quality of TVPaint's brushes overall. It's not the brush tool that makes it look that way, it's his skill. He draws it that way by having spent time studying Searle's work. Same on his "Molesworth" project (based on the style of Ronald Searle). He said: "I just use the default pen brush tool.". I recall asking Uli Meyer: "Hey, Uli, what custom brush parameters in TVPaint do you use?" on a project I worked on where Uli was the guy set the style for the animation. The "style" of the line quality is not always about a custom brush, but the skill of the artist who is doing the drawing. Custom brushes can help achieve a certain line quality, but sometimes it's just about how the artist puts down their line. It's a free update to 10.5.7 for all paid license holders of TVPaint 10.In the end i comfort myself with the notion that line quality is not the most important thing, well it shouldn't be anyway.Īnd of course that is true for many animated films. There were many bug fixes, improvements and new features added between 10.0.16 and 10.5.7, before the jump to TVPaint 11. The best thing I would recommend to you is to update to TVPaint 11, but if you prefer to work with TVPaint 10 and do not want to pay for the upgrade to 11, then you should update to the most recent iteration of TVPaint 10, which was TVPaint 10.5.7. there's a link to subscribe on the main website: scroll down to the bottom, the link is on the lower left.) In the new TVPaint 11 it will give you a pop-up reminder whenever there is an update to the software available, but that feature didn't exist back in TVPaint 10. (when did you buy it ? And do you not receive the TVPaint newsletter where updates are announced ? You should subscribe. TVPaint 10.0.16 is very old and no longer supported, so it's surprising that you would be using such an old version. Your first step to fixing your issue is to update your software.
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